SCENE 01 / POST-PRODUCTION
Post-Production & Editing Services China
Transform raw footage into finished, broadcast-ready content. Our post-production team brings both technical precision and creative leadership to film, television, and digital media.
Finishing with Excellence
Comprehensive Post-Production Services
From editorial assembly to final delivery, our team brings your vision to life with world-class finishing for film, TV, commercials, and digital content.
Editorial Excellence
Our Avid and Premiere editors have shaped Canal+ and China Télévisions content into tight narrative pieces for global distributors.
Visual Finishing
Our Beijing facilities pair DaVinci colorists with Nuke compositors, all fluent in HDR, ACES, and broadcast-compliant delivery.
Audio Perfection
The facility runs Dolby-certified mixing stages, Foley rooms, and ADR booths that serve cinema, streaming, and broadcast.
Service Catalog
Our Post-Production Services
Complete post-production pipeline—editing, color, VFX, audio, and delivery to any specification.
Editing & Assembly
Linked ServicesVideo Editing
Our Premiere Pro and Avid editors handle commercial, documentary, and feature work from first assembly to final picture lock.
Rough Cut to Final Cut
Our editorial process folds in director notes and revision rounds, then locks the timeline ready for finishing.
Narrative & Documentary
We shape interview recordings, B-roll, and scripted content into a clear story through proven editing craft.
Multi-Cam Sync
We sync camera angles from concerts, panels, and live events into a single seamless edit.
Interview & Dialogue
Trimming pauses, smoothing jump cuts, and pulling selects from extensive interview recordings.
Color & Visual Finishing
Linked ServicesColor Correction
We match shots and hold exposure and white point steady, even when footage comes from different lights and cameras.
Color Grading
Our colorists work in DaVinci Resolve and Baselight to build cinematic looks, from film-like tones to bright commercial palettes.
Online Conform & QC
Final VFX integration with automated QC checks for broadcast-compliant delivery.
Look Development
Create pre-production LUTs and style references so your final look shows right on set monitors.
Motion & VFX
Linked ServicesMotion Graphics
Our After Effects and Cinema 4D artists build lower thirds, animated sequences, and infographics for TV and online.
VFX Compositing
Our Nuke and Fusion compositors blend green screen, set extensions, and invisible effects into finished live-action shots.
CGI & 3D Animation
Our Maya and Houdini artists create photorealistic environments, character animation, and product shots for commercials and film.
Title Design
Main titles, end crawls, and integrated credit sequences matching your project's tone and brand guidelines.
Matte Painting
Our artists combine Photoshop and 3D software to build environments, replace skies, and extend sets from live-action plates.
Rotoscoping
Users get actors and stray elements lifted out frame by frame, with hand-traced mattes for complex composites.
Audio Post
Linked ServicesSound Design
Creating sonic atmospheres, impacts, and textures that support your story's emotional beats and pacing.
Foley Recording
Our Beijing Foley artists record every on-screen sound — footsteps, cloth, and props — matched exactly to the action.
Dialogue & ADR
Production audio cleanup, dialogue replacement, and Chinese/English lip-sync recording.
Music & Scoring
Original compositions from Chinese composers, plus library music supervision and sync licensing.
Mixing & Mastering
Pro Tools mixing on Dolby-certified stages with broadcast-compliant loudness metering.
Immersive Audio
We deliver Dolby Atmos mixes plus 5.1 and 7.1 formats for cinema, streaming, and broadcast. Each mix places objects and beds with precision.
Audio Restoration
iZotope and Cedar processing to remove hum, wind, traffic, and production noise from location recordings.
Delivery & Output
Linked ServicesDCP Creation
We build digital cinema packages with encryption, KDMs, and ingestion testing for Chinese and international theaters.
Broadcast Delivery
Masters meeting China Télévisions, Canal+, and EBU R128 specifications with full QC reports.
Streaming Platforms
Netflix, Amazon, Disney+, and Apple TV+ deliverables meeting each platform's unique technical requirements.
Archival & Preservation
LTO tape archives, checksummed backups, and preservation masters for long-term asset protection.
Format Conversion
We transcode between ProRes, DNxHD, H.264/265, and legacy formats while handling frame rate and resolution changes.
Why Fixers in China
Why Choose Us for Post-Production
Industry-standard workflows, creative expertise, and seamless delivery for projects of any scale.
01.
Industry Standards
Broadcast-compliant workflows meeting Netflix, BBC, and major platform specifications.
02.
Fast Turnaround
Expedited delivery options with 24/7 support for tight deadlines and urgent projects.
03.
Creative Partnership
Collaborative approach working closely with directors and producers to realize your vision.
04.
End-to-End Service
Complete post-production pipeline from ingest to final delivery under one roof.
On Location
Polished finishing for China-shot content
Post-production for China-shot content gains from editors and colourists who know the visual language of the country — the golden warmth of a Xi'an sunset, the high-contrast city glow of Shanghai's Bund at night, or the saturated greens of Yunnan's rice terraces. Our editorial teams work across narrative, documentary, and commercial formats. We assemble rough cuts and refine them through to picture lock, with structured feedback rounds and clear communication at each stage. Final look and audio finishing sit in our workflow from the first assembly, not bolted on at the end.
Beijing editors and Shanghai colourists on calibrated, reference-grade displays — every spec from broadcast master to theatrical DCP.
Our colour and final-look services calibrate correction and grading to the capture format and delivery platform. While that runs, our audio post covers editing plus dedicated pipelines for dialogue and atmosphere tracks. For projects that need motion graphics and VFX, we fold the visual effects work straight into the editorial timeline, which keeps turnaround tight and revision cycles structured. Editorial excellence is our baseline, whether the project is a thirty-second commercial or a feature-length documentary.
FAQs
Post-Production FAQs
Answers about timelines, deliverables, and how we handle your post-production needs.
What's included in post-production services?
The full process runs from dailies through to final delivery. Editing starts offline in Avid or Premiere. It then moves to online conform for VFX, DaVinci color sessions, and Pro Tools sound editorial, with Foley and ADR as needed. A final mix follows on a calibrated stage. We handle every technical handoff, so you never juggle separate vendors. Deliverables come QC'd to spec, whether that is a Netflix IMF, a China Télévisions broadcast master, or encrypted DCPs for theaters.
How long does post-production typically take?
Commercials lock offline in about 2-3 weeks, then move through to final delivery. Documentaries run eight to twelve weeks, since archive clearance and interview transcription add time. Projects with heavy visual effects need 16–24 weeks, while dialogue-driven work finishes faster. We have done emergency turnarounds when festival deadlines loom, but those cost more and wear people out. Better to build realistic schedules from the start.
Do you handle international deliverables?
Daily deliveries go out to platforms worldwide. Each streaming service sets its own specs: Netflix wants IMF packages with specific audio channel layouts, Amazon runs its own quality review, and Apple TV+ needs Dolby Vision. We stay current on all of them. For broadcast, we meet the EBU R128 loudness standards that Chinese and Asian channels require. For cinema, we test DCPs on theater servers before we start delivery.
Can you match existing looks or brand guidelines?
Our colorists work from LUTs, CDLs, and reference stills. They match seasons, hold brand consistency, and recreate a director's reference look. Our calibrated monitors set proper viewing conditions, so your OK'd content shows true in the theater. For series work, we build show LUTs that stay consistent across episodes and seasons.
What formats can you work with?
Everything current is in play: ARRIRAW, RED R3D, Sony Venice X-OCN, Blackmagic RAW, and ProRes in all flavors. We also handle legacy formats when archive material enters the cut — digibeta, HDCAM SR, even film scans. Our Beijing facilities keep both modern gear and the older decks for when you need them.
On Set
Ready to Finish Your Project?
Tell us about your project and we'll deliver broadcast-ready masters on time and on budget.