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Chinese Film Crew - filming location in China

SCENE 01 / CAMERA EQUIPMENT RENTAL

Camera Equipment Rental

Professional cinema cameras, lenses, and support equipment for film and TV production in China.

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Camera equipment rental provides productions with access to high-end cinema cameras, lenses, and accessories without the capital investment of ownership. Rental houses maintain and service professional gear, ensuring productions receive calibrated, reliable equipment ready for demanding shooting schedules.

We facilitate camera equipment rentals from vetted local suppliers, negotiating competitive rates and managing delivery logistics. Our team coordinates prep days, cross-rentals, and equipment returns so your camera department can focus entirely on the creative work at hand.

Capabilities

Complete Camera Packages

We source and coordinate camera equipment from China's leading rental houses, providing complete packages tailored to your production's creative and technical needs.

01

Cinema Cameras

  • ARRI Alexa 35 & Mini LF
  • RED V-Raptor & Komodo
  • Sony Venice 2 & FX9
  • Blackmagic URSA systems
  • Panavision DXL2

Premium Cameras

02

Lens Packages

  • ARRI Signature Primes
  • Cooke S7/i & Anamorphic
  • Zeiss Supreme & Master
  • Panavision primo lenses
  • Specialty & vintage glass

Cinematic Glass

03

Camera Support

  • ARRI Trinity & Artemis
  • DJI Ronin stabilizers
  • O'Connor & Sachtler heads
  • Dolly & track systems
  • Remote head systems

Stable Shots

04

Accessories

  • Wireless video systems
  • Focus control units
  • Matte boxes & filters
  • Recording media
  • Power solutions

Complete Kits

On Location

Cinema camera packages prepped and delivered across China

Camera gear rental in China routes through a defined set of partners — Mango Gear Beijing and Beijing Film Gear as the dominant ARRI houses in the capital, Photon Asia for high-end commercial and feature work, Shanghai Film Studio Rental and Pacific Audio Visual for the Yangtze Delta, Hengdian Gear Rental for backlot drama, Qingdao Wanda Studios for fully-equipped soundstage shoots, and the Shenzhen rental cluster (DJI and tech-shoot supply) for commercial product work.

Here is how this works in practice. And our team books across those inventories to assemble the body, lens, support, and accessory stack a production actually needs. ARRI Alexa 35, Mini LF, Alexa Mini, RED V-Raptor and Komodo, Sony Venice 2, FX9, and FX6 broadcast bodies sit at the centre of the request list, supported by Cooke S7/i and Anamorphic sets, Zeiss Supreme and Master Anamorphic, ARRI Signature Primes, DZOFilm (Chinese-made and gaining international traction), and Vantage Hawk anamorphics that NRTA-approved co-productions increasingly favour.

International productions land most of their gear through Beijing Capital (PEK), Daxing (PKX), Shanghai Pudong (PVG), Guangzhou Baiyun (CAN), and Hong Kong (HKG) cargo terminals, with China Customs ATA carnet paperwork processed through China Council for the Promotion of International Trade and customs clearance handled by the same team that books the rental. Road haulage and CRH high-speed rail handle the inter-city moves — Beijing to Hengdian by overnight truck, Beijing to Shanghai in 4 hours on the CRH for crew with prep gear, and coordinated transit to Qingdao, Hainan, Yunnan, and the Inner Mongolia or Tibet unit bases working under NRTA co-production approval.

The picture on the ground is more specific. Camera technicians and DITs trained at the Beijing Film Academy cinematography track can be added to the booking when prep support on a Hengdian backlot or on-set assistance during a Shanghai night exterior is needed. Emergency replacement and cross-rental from partner houses runs through the same coordinator, which matters when an Alexa Mini LF goes down on day three of a Tibet altitude schedule at 3,400 metres.

FAQ

Camera Rental Expertise

What camera systems are available in China?

We source all major cinema camera systems including ARRI Alexa 35, Mini LF, and Alexa Mini; RED V-Raptor, Komodo, and Gemini; Sony Venice 2, FX9, and FX6; Blackmagic URSA series; and Panavision DXL2 and Millennium cameras. Specialty cameras for high-speed, underwater, and aerial also available.

How far in advance should I book camera equipment?

We recommend 2-4 weeks advance booking for standard packages and 4-6 weeks for specialized equipment or during busy periods (May-September). However, we maintain emergency availability and can often accommodate last-minute requests through our rental network.

Do you provide camera technicians with rentals?

Yes, we can arrange qualified camera technicians, DITs, and prep technicians to accompany your rental. Services include on-set support, daily camera prep, data management, and troubleshooting throughout your production.

How do you handle equipment for international productions?

We coordinate all logistics for international productions including ATA carnet processing, customs documentation, and delivery coordination. Our team handles the paperwork so your equipment clears smoothly into China.

What's included in camera prep?

Full camera prep includes sensor cleaning, lens calibration, functionality testing of all components, firmware updates, battery conditioning, and cable/connector verification. We provide detailed reports and ensure everything is production-ready.

Can you source specialty or vintage lenses?

Yes, we source specialty glass including anamorphic lenses (Panavision, Cooke, ARRI), vintage rehoused lenses, and unique character glass. We work with specialty rental houses across China and Asia to find the specific look you're seeking.

Productions in China that need this often pair it with Camera Support Systems, Cinema Lens Kits, and Lens Filters for full coverage. Most projects also draw on Grip Equipment and Audio Equipment Rental.

On Set

Need Camera Equipment?

Tell us about your production and we'll recommend the ideal camera package for your creative vision.