SCENE 01 / WIRELESS SYSTEMS
Wireless Systems
Complete wireless infrastructure for your Chinese production.
Wireless communication and audio systems keep your crew connected and audio flowing without cables. They cover wireless intercoms, IFB feeds, audio hops, and comms networks, which matter most when a large crew spreads across big sets or many locations.
We build wireless packages tuned to how your production needs to talk and route audio. Our team plans the frequencies and tests every unit up front, so operation stays free of interference and your crew talks and hears cleanly across the whole shoot.
Capabilities
Wireless Equipment
Audio, video, lens control, and RF management solutions.
Integrated Wireless Solutions
Capabilities
Our Process
RF Survey
We scan your locations to read the RF environment and find clean frequencies.
System Design
We design one joined-up wireless plan that covers audio, video, and control.
Frequency Coordination
We assign and log every frequency so all systems run without interference.
Production Support
We track RF and stand by to help through your whole shoot.
On Location
Integrated wireless infrastructure for Chinese productions
Wireless setup on a Chinese production handles far more than microphones. It carries wireless video for the director and client villages, IFB feeds to talent, intercom for the grip and electric teams, wireless follow focus for the camera crew, and the comms backbone that lets a Hengdian backlot run two units at once without cues clashing. MIIT (China's range regulator, the FCC equivalent) sets the legal frequency blocks each system may use, and enforcement around Beijing, Shanghai, and Shenzhen is unusually strict.
That is why our team runs a logged RF survey at each location before crew call. For wireless video we bring Teradek Bolt 4K and 6, Vaxis Storm, and Hollyland Pyro. Lens control runs on Preston FIZ, ARRI WCU-4, and Tilta Nucleus, while comms run on Riedel Bolero and Clear-Com FreeSpeak. We import all of it on a China Customs ATA carnet through our Beijing facility.
Our plan ties it all together. Wireless mics, IFB, video hops, lens motors, and intercom channels sit across MIIT-signed blocks, each with the paperwork a department needs to program its gear. We scan and assign frequencies at Hengdian World Studios backlots, Qingdao Wanda Studios soundstages, Beijing hutong exteriors, and Shanghai Pudong skyline interiors. We also cover the regional unit bases NRTA co-productions tend to spread across, from Yunnan, Tibet, Inner Mongolia, and Hainan to the Guangzhou-Shenzhen tech corridor.
On the day, the crew is specific too. Comms technicians tied to the Chinese Filmmakers' Association and DITs trained at the Beijing Film Academy run the assignment sheet. Our RF tracking stays on call right through the shoot, and we routinely carry dozens of channels across many departments. Large shoots with parallel units at Hengdian or Qingdao gain the most from the full plan our team builds during prep.
FAQ
Frequently Asked Questions
What wireless systems do you coordinate?
We set up every production wireless system: microphones, IFB/IEM, wireless video, lens control, intercom, and any other RF gear. Careful planning keeps all of them working together without interference.
How do you handle frequency allocation?
We scan your locations, find clean frequencies inside China's legal range, and hand channels to every department. Our team shares the frequency records and helps each crew program their gear.
What about wireless video systems?
We supply Teradek Bolt, Vaxis Storm, and other wireless video systems that feed the video village. They send picture with zero delay, so directors and clients can watch without any cables.
Do you provide wireless lens control?
Yes. We supply wireless follow focus systems such as Preston FIZ, ARRI WCU-4, and Tilta Nucleus, and we set the lens control frequencies to sit cleanly with your other wireless gear.
What about Chinese RF regulations?
We know China's frequency rules well and keep all wireless gear inside the legal range. Our team can also advise on the sign-up needs for high-power systems.
Can you support large-scale productions?
Yes. We often run shoots with dozens of wireless channels spread across many departments, and the most complex ones gain the most from careful RF planning.
Related Services
Productions in China that need this often pair it with Wireless Microphone Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.
On Set
Need Wireless Solutions?
Tell us about your wireless requirements and we'll design the right system.