CGI Artist Services

Here is how the work shapes up. China's CGI talent pool has matured around a clearly defined set of facility-grade pipelines. Base FX in Beijing carries credits on Pacific Rim, Iron Man 3, Game of Thrones, and the Wandering Earth saga. More VFX delivered the heavy CGI on Wandering Earth 2. The Three-Body Problem Tencent Video adaptation. Pixomondo Beijing handled the dragons across many Game of Thrones seasons, while MacroGraph, Bottleship VFX, Original Force in Nanjing, Light Chaser Animation in Shanghai (Ne Zha and White Snake), and the in-house VFX divisions at Tencent Animation, iQIYI VFX, and NetEase each run production-grade Maya, Houdini, Nuke, V-Ray, Arnold, and Redshift pipelines aligned with global vendor specs.

Here is how this works in practice. Our network has artists who actually sat inside those facilities for the credited shows. Character TDs from the Wandering Earth mech department, environment leads from the Three-Body Problem and Creation of the Gods trilogies, hard-surface modellers from automotive commercials shot through Shanghai agencies, and lookdev artists fluent in ACES and the OCIO config used when handing CGI plates into global DI suites in Beijing and Shanghai.

Here is how it adds up. Selection runs against your pipeline first, your shot count second. We open each brief with the toolchain you and your VFX supervisor have already locked. Maya or Houdini for assets, Nuke or Fusion for comp, ftrack or Shotgun for production tracking — and present artists who can drop into that pipeline without reconfiguring. For broadcast and streaming shows tied to iQIYI, Tencent Video, Youku, Bilibili, Mango TV, or global SVOD vendors picking up Chinese-area titles, we confirm TPN-aligned data handling, encrypted vendor handoff, and turnover ALE/CDL ingest against the dailies workflow your editorial has set in Beijing or Shanghai.

Here is the run-down. The picture on the ground is more specific. Cybersecurity Law, Data Security Law, and PIPL 2021 cross-border restrictions are managed at the data-handling layer. For commercials, we stage artists who can iterate at the agency tempo of Anfu Road and 798 while holding lookdev parity with the live-action plate. Our CGI roster works fluently in English and Mandarin, holds local labour-contract or freelance arrangements based on buy-in, and ships work that survives Chinese theatrical exhibition and Pingyao or Beijing International Film Festival selection.