LED Lighting Systems

LED has overtaken HMI as the default key-light layer on Chinese drama, feature, and commercial sets, and Beijing and Shanghai rental stock shows that shift plainly. Our LED packages draw on Aputure (Shenzhen — the global cinema-LED leader, with the 1200d Pro, 600x, and 300x bi-color COB series), Nanlite (Forza monolights and Pavotube RGB), and Godox KNOWLED — all China-built fixtures that ship worldwide, yet they are ready here at a fraction of import-tariff pricing. We pair them with ARRI SkyPanel S60/S30, Mole-Richardson Vari-Lite, Litepanels Gemini, and Astera Titan Tube/Helios kits, sourced through Beijing and Hengdian rental houses that serve China Film Group, Huayi Brothers, and Tencent Pictures slates.

Productions shooting at Hengdian World Studios, China Film Studio Beijing, Shanghai Film Park, and the Qingdao Wanda backlot ask for these by name. We hold ARRI Orbiter in reserve for the highest-TLCI delivery on streaming originals bound for iQIYI, Youku, and Tencent Video.

Our control setup is built around DMX over wired and CRMX wireless, ARRI/Aputure/Nanlite/Astera brand apps, and full grandMA consoles when shoots need pixel-mapped looks or cyclorama work on Hengdian Stage 9 or Shanghai Film Park Stage 5. Battery-powered LED kits run on V-mount and Gold-mount packs for hutong interiors, Forbidden City courtyard work, and Mogao Caves heritage shoots under NRTA watch, where mains tie-ins are blocked or tight.

BFA-trained gaffers and Beijing/Shanghai electric crews who know modern LED workflow book alongside the gear. They handle DMX patching, wireless commissioning, and LUT-matched colour management against the DP's monitor. Our packages meet NRTA on-set monitor protocols, CFA crew rates, 17% VAT forms, and the Chinese government on-set monitor rule that applies to all foreign-led shoots filming inside the mainland.